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Conceptual, Surrealist, Pictorial

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Liesbeth Decan

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39.5
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Samenvatting

Samenvatting
The role of photography in Belgian visual art. Conceptual, Surrealist, Pictorial is the first in-depth study of the use of photography by Belgian artists from the 1960s until the early 1990s. During these three decades, photography generally underwent a major evolution with regard to its status as a gallery-focused fine art practice. Liesbeth Decan explores ten representative case studies, which are contextualized within and compared with contemporary international artistic trends. Successively, she addresses the pioneering use of photography within Conceptual art (represented by Marcel Broodthaers, Jacques Charlier, and Jef Geys), the heyday of Photoconceptualism in Belgium (represented by Jacques Lennep, Jacques Lizène, Philippe Van Snick, and Danny Matthys), and the transition from a conceptual use of photography towards a more pictorial, tableau-like approach of the medium (represented by Jan Vercruysse, Ria Pacquée, and Dirk Braeckman). Ultimately, the selected case studies reveal that photo-based art in Belgium appears to be characterized by a unique uniting of elements particularly from Conceptual art, Surrealism, and the pictorial tradition. GPRC label:
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Productinformatie

Auteur
Liesbeth Decan
Uitgever
Leuven University Press
Taal
Engels
ISBN
9789462700772
Productsoort
Boek
Uitvoering
Paperback
Reeksnaam
Lieven Gevaert Series
Categorie
BoekenEngelse boekenKunst & CultuurBeeldend & architectuurKunsttheorie
Leeftijd
Volwassenen
Verschijningsdatum
10/24/2016
Aantal pagina's
300
Formaat
232 x 172 x 19 mm
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